Saturday, June 25, 2011

The 30-Day Musical Theater Song Challenge, Part 7

I came across this challenge on Facebook and thought I'd give it a try. By now, it should be no secret that I'm an avid fan of musical theater, which is not the case for many people in this country (and it's easy to understand why). If you're a Broadway junkie like myself, then my 'repertoire' is yours to sample. Otherwise, you're in for some 'new' music to... add to your playlist, perhaps?

Note: The instructions say to post this on your 'Wall', one song per day, but since we're in Blogger, I'm having it my way.

A song from your 'guilty pleasure' musical.


"TOUCH MY SOUL" from Bare
by Jenna Leigh Green and James Snyder

I read online that Bare has developed a cult following worldwide, so it got me all excited thinking that I'm actually part of a cult. But that's beside the point. Here's a musical that's nearly a decade due on Broadway (it had an Off-Broadway outing in 2004, but failed to make it to Broadway itself). Instead, it's received numerous productions worldwide and has become a favorite for amateur and regional theaters. For all I know, the youth's a huge part of its fanbase (or cult membership) - and really, there is something about this musical that appeals to young people. 

Perhaps it's because, like Spring Awakening (but without the global fame), Bare is about teenagers struggling to find their place in society. There's contemporary music - and it's quite good, I should say. Combine these two elements and you have the perfect recipe to get young people hooked to a piece of musical theater.

The main story arc in Bare is a love triangle, between Peter, Jason, and Ivy. The pairings are as follows: Peter and Jason, Jason and Ivy. Peter's gay, Jason's confused as to whether he's gay or straight, and Ivy is straight, flirty, and female all the way. In Touch My Soul, Ivy tells Jason about her feelings and her two cents on the world she runs, and Jason sings back to her (though it's hardly welcome).

P.S. The above clip is from the Off-Broadway Production with Jenna Leigh Green as Ivy and John Hill as Jason, dubbed with the 2007 Studio Cast Recording by Green and James Snyder as Jason.

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A song from the musical which you think everyone should see performed live.


"MAYBE" from Next to Normal
by Alice Ripley and Jennifer Damiano

Watch Next to Normal. I say that to everyone out there who lives with a functional and happy family, and to those who'd rather stay away from home because home's such a terrible place. Maybe, after watching this, you'll realize that your problems aren't that major at all. You'll be able to appreciate and love your moms better. You'll realize how lucky you are to have a dad who's not a punching bag for your mom. You'll realize that in the future, it'll just be you and your siblings together. The moral of Next to Normal goes something like this: Treasure your family, for how fortunate you are that you're not a Goodman.

I watched the musical twice in March 2011, and for both times, you could hear the sobs and sniffles during Maybe. Here, Diana and Natalie (mother and daughter) reconcile their differences and resign themselves to the fact that maybe, a normal life's never meant for them. "I don't need a life that's normal," Natalie sings, "but something next to normal would be okay."

Menchu Lauchengco-Yulo and Bea Garcia return in October for a rerun of the Manila production of this musical. Any theater fan out there would be crazy to miss this. The emotions that Lauchengco-Yulo and Garcia evoke in this scene are of the highest and purest level.

Friday, June 24, 2011

The 23rd of June, or How the Rain Fell So Hard, It Gave Us All a 'Good' Time

No image will be provided for this post in honor of the gifts of imagination, resourcefulness, creativity, and intelligence.

Outside, the sky was bleak, the atmosphere dreary. From where I stood, I glimpsed people in uniform scurrying down the sidewalks, bags in tow, folders and envelopes or what could pass for a temporary, mobile roof unsteadily held upon their heads. Inside, many were seemingly oblivious to the pitter-patter of rain on the windows, instead almost entirely immersed in the activity at hand. Then, the warning came.

"The chancellor has called off all classes and school activities. We are advised to go home now, since the weather is getting worse by the minute - and many of us still have a long journey ahead." 

Text messaging is certainly an unquestionable wonder of our era. In a matter of minutes, the word had spread like wildfire across campus. Had we been the naive and wide-eyed grade school kids that we once were, we would have broken into applause and our cheers would have drowned out the rest of our instructor's words. But we were past that stage. There was hardly any sign of bags being packed, chairs being pushed back, or people slowly heading for the door. There was only talk - orderly discussion as to what's happening and what to do next - and so we were given the option.

"We could, however, stay a little longer for you to finish up. Would you prefer that? I'm not yet leaving anyway."

Our instructor's words betrayed a calloused Manila spirit, hardened by a life spent dealing with the horrendous traffic and unpredictable floods and all that brouhaha that continue to plague the city. They say the weather's getting really bad. There'll be flooding for sure. But what's life without that, yes?

Her sentiments weren't just her own. Like the stereotypical to-be doctors, we agreed to go on with our work - at least, for as long as we were allowed inside the room. Did we have any choice at all? To some, it would have been quite unbecoming to rejoice and think only of home at the mere whisper of 'classes cancelled'. Think of the imprudence. Were we to just leave like schoolkids, flitting from thought to thought, from work to home, from responsibility to recreation? How embarrassing.

So we stayed.

A couple of hours later, we'd be among the many struggling to escape the rising waters, struggling to reach an impermanent shelter where we'd finally be dry and warm and cozy. We'd first be the chatty and sociable throng of freshmen gathered amongst the transboxes, waiting for our lecture transes to arrive. We'd gaze at the sky or the soaked asphalt pavement, or we'd be totally heedless to these inanimate things and be solely focused on our shifting conversations. The transes would arrive and we'd cheer in slight mockery of those who cheer the way we did (in other words, children).

By that time, however, we'd already take notice of the rain gathering momentum and pounding the earth in such barbaric fashion. Consider that our initiation. We'd see the pavement slowly disappear beneath the water, and the water slowly creep towards higher ground (otherwise known as the transbox area). We'd all laugh and ponder at the same time at the thought of being stuck together in this tiny place for the night - or how we'd all be eventually forced to wade through waist-deep waters teeming with roaches and rats. Of course, the latter would only happen the day the sea rises as scientists say it someday would.

Then, the cars came. Shoes got soaked. People were forced to tread on ankle-deep waters. People slipped and fell on the water. People continued to laugh. Spirits were still high and cheery, in perfect contrast to the heavenly gloom. By that time, the goal was to get out of campus at all costs. Chairs were turned into improvised walkways, and so were huge, unsteady pieces of stone.

How everyone eventually got out of the area, how we summoned resourcefulness and creativity to make bridges and elevated pathways, still leave me beaming with pride. In the end, though, I was the only one left.

I was the last one out, but funnily enough, I was relatively dry all over. Thank God. 

Monday, June 20, 2011

The 30-Day Musical Theater Song Challenge, Part 6

I came across this challenge on Facebook and thought I'd give it a try. By now, it should be no secret that I'm an avid fan of musical theater, which is not the case for many people in this country (and it's easy to understand why). If you're a Broadway junkie like myself, then my 'repertoire' is yours to sample. Otherwise, you're in for some 'new' music to... add to your playlist, perhaps?

Note: The instructions say to post this on your 'Wall', one song per day, but since we're in Blogger, I'm having it my way.

A song from the musical with the best music.


"ALL I ASK OF YOU" from The Phantom of the Opera
a concert cover by Brad Little and Joanna Ampil

When it comes to Andrew Lloyd Webber, there are only two ways a musical theater lover may go: You either love his music or abhor it with your life. For the longest-running Broadway show, at least, I'm a fan. Phantom, after all, is the very first musical recording that I listened to and actually got... 'addicted' to. It was the summer before high school, and our living room was constantly filled with Gerard Butler and Emmy Rossum's voices (which at that time were quite perfect for me already). Half a decade and many Phantom covers later, I'm still no fan of Michael Crawford.

The category here is best music, and it dawned on me when I was still choosing an answer that I actually like every song there is in Phantom. Of course, there are other musicals that I'd easily give this category to, but for the sheer beauty of the music, ALW wins. I couldn't find a good enough cover for The Point of No Return, which is my most favorite song from the musical, so I had to settle with this one instead. Joanna Ampil for Christine in a Manila engagement ala Cats, anyone? 

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A song from the musical with the best lyrics.


"I WISH I COULD GO BACK TO COLLEGE" from Avenue Q
by the Original Broadway Cast

Yes, friends, Avenue Q again for this one. Why? It's ridiculously funny, it's witty, and it's very sincere all at the same time. It's an ingenious juxtaposition of R-rated hilarity and in-your-face facts of life, a comedy or dramedy or I-don't-know-how-to-categorize-it with a really huge heart and a very human soul. At least once, every urbanite with the money must see the show, and so should college students and fresh college graduates, and the married couples as well.

Right now, I'd rename this song "I Wish I Could Go Back to PreMed" and somehow, it'd fit.

Sunday, June 19, 2011

I Are Von Trapp

Salzburg, Austria at night.

As I write this, the French Film Festival at the Shangri-La Plaza is just wrapping up with The Tree of Life, this year's Cannes Film Festival Palme d'Or recipient. It's supposed to be a Best Picture contender for next year's Oscars, plus Brad Pitt (in serious, awards-bait mode) and Sean Penn are in it. Good thing I decided against going to the fest; it's been raining all day, and we don't want another Equus, do we?

I had my own French film fest today. This afternoon, I watched Of Gods and Men, and just now, Le Concert. The former's a pretty intense drama about a group of monks caught in the web of religious war in Algeria (based on a true story); the latter is a sort-of-musical-comedy about a faded Russian orchestra conductor. I'm not going to review them now; watch them, as both films are pretty well worth the time and effort. I've now watched thirty films for my Oscarthon and will be concluding it in a week or so.

It's a long weekend, and a pretty benign one at that - perhaps the most benign we'll ever have for the rest of the semester. The first week of med school's over, and yes, it was just three days of introductory, sort-of-like-Values-class sessions. We have classes five days a week (UP colleges normally have Wednesdays off), eight hours a day (8 to 5, with a 12 to 1 break). The previous days have been all about getting to know the 120 lateral entrants (I still don't know half of them, and they say it sometimes takes more than the entire year to know your entire class). We were made to watch Patch Adams and Freedom Writers, probably to further inspire us to become doctors for the people, and that's just about all the interesting things we did (sarcasm).

So I wondered: Why do we watch movies? Here's my answer: Movies help us develop empathy. To immerse oneself in that fictional universe, to establish a connection with the characters, to tread that fine line between fiction and reality. That plethora of emotions and myriad of thoughts that flooded our very selves throughout the entire viewing experience, we bring with us as we exit the cinema or close our screens.

Next weekend's another long weekend, and after that, we have our exam on this week's classes (on the country's health care system and all that shiz). Then, the real thing begins. Anatomies, histologies, physiologies, biochemistries, dissections - the real medical stuff that we'll need in the future. And of course, the must-study-for exams, more than twenty of them for the semester alone. But first, The Music of Andrew Lloyd Webber on Saturday night - yes, we're watching.

Now that I've mentioned theater, I just read online that there will be auditions next weekend for Resorts World's production of The Sound of Music. How about playing Friedrich or Rolf come October, while balancing med school and all that jazz? But I'd really like to go to Salzburg someday.

Tuesday, June 14, 2011

The 30-Day Musical Theater Song Challenge, Part 5

I came across this challenge on Facebook and thought I'd give it a try. By now, it should be no secret that I'm an avid fan of musical theater, which is not the case for many people in this country (and it's easy to understand why). If you're a Broadway junkie like myself, then my 'repertoire' is yours to sample. Otherwise, you're in for some 'new' music to... add to your playlist, perhaps?

Note: The instructions say to post this on your 'Wall', one song per day, but since we're in Blogger, I'm having it my way.

A song by your favorite musical composer.


"SO MANY PEOPLE" from Saturday Night
a concert cover by Laura Benanti 

First of all, pardon the video if the audiovisuals aren't that good; it's my first creation using Windows Movie Maker - and dear Lord, did the entire process of extracting that clip give me one heck of a headache. But I guess the headache's worth it, for here, in a clip that Youtube does not have or refuses to hand over to me, is Tony winner Laura Benanti in one of the best numbers of the night during Stephen Sondheim's 80th Birthday Concert more than a year ago.

It took nearly a half-century before Saturday Night, probably one of Sondheim's least known creations, made it to the West End, and Broadway's yet to get a taste of it. In this musical, however, is what I deem to be Sondheim's most beautiful (love) song - in fact, one of the most beautiful songs I've ever encountered. It's something I'd really like to hear at a or my wedding. Laura Benanti, in just concert form, is dazzlingly romantic here.

My favorite lyrics: So many people in the world/ and what can they do?/ They'll never know love/ like my love for you/.../ And if they tell us/ it's a thing we'll outgrow/ they're jealous as they could be/ that with so many people in the world/ you love me. 

Blog Post Served Raw

I write this with less than twelve hours to spare before med school finally begins. In a month's time, I'd already be wrapped in those pearly white uniforms, under the control of a dress code again after two years of liberation. Tonight, my two-month summer break comes to an end, and I couldn't be any happier as to how it all turned out.

I finished Ilustrado by Miguel Syjuco last night. I can't believe it took me all of two months to will myself into finishing the novel, and that it's the only book I finished for the summer. In any case, the novel has "Palanca" stamped on its pages from start to end; every sentence, every paragraph is formed in award-winning fashion, every chapter a microcosm of the totality that is the Palanca Grand Prize Winner a couple of years back.

Manner and method over matter: Ilustrado is definitely worth reading, though I believe it's more an exquisite read for the way its written and the sheer beauty of the author's style, than for the story.

Once again, the vacation saw my sleeping time and pattern drastically changed. I can actually remember only a single night when I didn't sleep at nearly midnight. I guess practice makes perfect then (for med school, that is)

My biggest achievement this summer, however, is sort-of-finishing our high school yearbook. It took all of two months to actually finish the entire thing, so hurray for me. And I can drive now (though far from an expert).

Whoever owns this picture has our yearbook staff's gratitude.

P.S. I'm writing this sort-of-rant-or-mind-vomit simply because I feel sort of guilty that I didn't write for an entire week. So there, a mediocre blog post served raw.

Monday, May 30, 2011

A Valedictory Address

The following speech was delivered by Dr. Marc Gregory Y. Yu, valedictorian and the only magna cum laude honoree of the University of the Philippines College of Medicine Class of 2011, during the 102nd UPCM Commencement Exercises, SMX Convention Center, Manila, May 22, 2011.  

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UP President Dr. Alfredo Pascual; our Chancellor Dr. Ramon Arcadio; PGH Director Dr. Jose Gonzales; our beloved Dean Dr. Alberto Roxas; members of the faculty, staff and administration of UP-PGH; distinguished doctors, parents, fellow graduates, and friends. Good afternoon.

Not too long ago, I was just another regular guy from the province, pleasantly thrilled to be in the metropolis for my medical education. I couldn’t call a code to save my life, and if someone came up to me and mentioned words like “spondyloarthropathy”, “calciphylaxis”, and “tardive dyskinesia”, they would have sounded like magic spells straight from the pages of a bestselling Harry Potter book.

It never occurred to me that several years after, I would go on to present an award-winning pilot study on “spondyloarthropathy”. “Calciphylaxis” became a crucial question that cost us the winning point in a quiz show; and somewhere in one of the whitewashed rooms of the OPD, I encountered my very first patient with “tardive dyskinesia.”

That patient, I would like to believe, had been my second most memorable patient. My most memorable patient was a forty-year old woman who approached me one day and said: “Doc, kamukha niyo talaga si Aga Muhlach!” To which her very observant companion replied, ““Mali ka! Si Dingdong Dantes ang kamukha niya!”

So what’s the moral lesson? In these difficult times, ditch med school. Watch out for the next Starstruck auditions!

But perhaps when we were younger, there was a time when we thought being a doctor was what we really wanted. Years ago, some of us showed up in Calderon Hall believing they could make a difference. Others have been drawn by the allure of such a prestigious profession; while still others, fearing expulsion from their homes, reluctantly exchanged business suits and ballet shoes for scrubs and surgical tools. As for me, I became a doctor simply because all I ever wanted to do as a child was to play with a stethoscope all day. Of course, that quickly became the least of my concerns.

Looking back, however, what matters is not why we became doctors, but that we chose to become doctors. And today is a fitting celebration of that choice.

So congratulations to everyone. We are not only graduates in the academic sense but also graduates from being called Hijo, Kuya, Ate, Ineng, ang lalakeng nakasalamin, ang babaeng maputi, ang bakulaw na singkit.  We have finally earned the enviable right to be called Doctors of Medicine.
                                                                                                        
Being a doctor is a rare power, and a vast privilege. Not only are we dealing with a constantly evolving array of drugs and diseases, but we actually possess the dynamic capacity to heal, to cure, and to care (also, to be sued for malpractice and sexual harassment.) As products of the country’s premier university and trained at the foremost national referral hospital, we have been part of a time-honored tradition of excellence, having studied with the best professors, mingled with the best students, and taken part in crafting some of the best ideas.

Five years – seven years for us Intarkids – have made us duly realize that this power is nothing short of tremendous. In the words of a balikbayan patient: “I came here to be treated because I believe in the ability of the UP doctor. I came home because I believe in what we have.”
                      
Every day, hundreds of patients trudge to the gates of PGH, each bearing a tiny flicker of hope for recovery and redemption. We’ve met those who were easily content, and those who might have complained to their heart’s content. Those who were actually happy enough to have a rusty stretcher bed to lie on, and those who would be more than happy if the ER also served complimentary espresso. Some were extremely glad to have undergone a timely leg amputation, while others fiercely demanded a cure for metastatic disease. Time and again, we have been firsthand witnesses to these patients, who represent the staggering microcosm of life and its harsh realities. This incredible richness of experience has been our power, and to a certain extent, our responsibility as well.

Here in our country, the ironic wonderland that is amazingly resource-rich and resource-poor at the same time, the young Filipino doctor has to grapple with long, horrendous hours of work, little pay, limited social life, and boundless exposure to dangerous communicable diseases. Our commitment has been tested by the minute, and our creativity stretched to the utmost. How many times have we performed CPR on the floor? Juggled two, even three, newborn babies in a single bassinet? Utilized Jollibee cups for ABG purposes?

Some people would call it the very essence of “community-oriented education directed to the underserved.” Others would brush it off as merely OA: overused anecdote. While still others would declare, it is something that needs OA: optimistic attitude.

Dr. Tony Dans, one of the most passionate doctors I’ve seen, has always emphasized: “We never have to work a single day in our lives as doctors if all of us had passion” (which may include passion in bed, as exemplified by a familiar doctor with his now infamous videos.) An attitude of passion and commitment allows us to emerge from 24 hour duties with enormous eye bags and splattered with blood, sweat, urine, and amniotic fluid all at the same time, and people would think we’re flaunting the newest fashion craze in town.

But let me tell you something else.

Last year, without benefit of a medical degree or a license, I received an unexpected surprise from a patient whom we pulled out of uremia: a box of cookies and a bottle of Coke. Not long after, it was a one dollar bill from an OFW. Cinnamon rolls from a grateful mother who was so relieved that her son didn’t have dengue. A pat on the arm from an elderly patient who commented that she finally understood her disease, for the first time in all these years. A year before that, I had been blessed with the most beautiful sunrise while on duty at the SOJR.

Maybe we’ve all had similar experiences, or come across similar patients. These are the things that continually renew our passion, the things that keep us waking up each day and raring to go, the things that often remind us why we turned to medicine in the first place, when we could be out there writing novels, selling shares in the stock market, or simply enjoying the perks of being a Starstruck grand champion.

The only words I could say right now are “thank you.” Thank you to our esteemed doctors, who have incessantly served as our lecturers, preceptors, mentors, and tormentors (just kidding.) No amount of scientific brilliance would comprehend how much you have influenced and inspired us, not only in refining our clinical eye and management skills but more so in the conduct of ethics and effective doctor-patient relationships.

Thank you to our patients, who have been our most indispensable bedside teachers. I will never forget how an enthusiastic mother lectured me on her newfound knowledge of epilepsy, or how a particularly persistent bantay taught me the value of sheer resourcefulness. And when I was about to perform my first ever gynecologic examination as an ICC, the young woman on the examining table gave me a knowing look, chuckled, and said, “First time mo no?”

Thank you to our families, who have provided unconditional love and support despite enduring an eternity of missed dinners, birthdays, anniversaries, weddings, baptisms and reunions. Finally, we can confidently answer your queries regarding X-rays and ECGs – with matching journal articles to boot.

Thank you to the staff and administration of UP-PGH – the nurses, NAs, manongs and technicians who have offered invaluable assistance and made life in the wards, OPD, OR, ER, and ICU so much more worthwhile.

Most of all, we give thanks to the one Great Healer, who has wisely utilized us as His fitting instruments.

Med school had truly been, in the words of Charles Dickens, “the best of times, and the worst of times.” We salute our co-interns, block mates, poker pals and karaoke buddies – the people who have walked with us for better or for worse, on days when we only had oversized anatomy textbooks for breakfast, lunch, and dinner; got grilled for two hours in front of a poker-faced audience; fell in and out of love; flunked exams and barely passed others; studied hard and partied even harder – which turned out to be an excellent decision because in the end, we can’t even remember half of what we studied. Of course, even if we failed to study, we were assured that we can always have a “good time”.

Hovering between student life and the start of real medical practice, our minds may be riddled with questions: What do I do? Where do I go? What will happen to me when I’m bald, fifty, and still a bachelor? (I’m not referring to Mr. President.) And most importantly, how do I change the world?

Let me rephrase that: How do 150 UP students – and 260 PGH interns – change the world?

Our working knowledge of malignancies and chronic diseases tells us that obviously, it won’t be overnight. We won’t wake up to suddenly find an automated, fully air-conditioned ER, an expanded labor room that will comfortably fit a hundred pregnant women (the key word being “comfortably”) or all ICU beds equipped with the latest, most powerful mechanical ventilators.

But then maybe, just maybe, we will wake up to know that a patient survived a hypotensive episode, thanks to our diligent monitoring efforts. That another patient escaped a potentially fatal arrhythmia, because we stayed on to retrieve labs and aptly discovered a potassium level of 7. That a patient in sepsis finally became afebrile, because we ensured a sufficient supply of antibiotics. My most uplifting moments in medicine have been these little everyday things, simply because these are the meaningful things that count, the tiny changes that triggered an earthshaking world of difference.

Change will forever mark the bountiful frontiers of medicine. Soon, we will be diagnosing TB with just two sputum smears, more and more molecular agents will target cancer cells, and the rise of novel endoscopic interventions may eventually obviate the need for more invasive surgeries. Soon, more terms will crop up, terms even more peculiar and more bizarre-sounding than “spondyloarthropathy”, “calciphylaxis”, and “tardive dyskinesia”.

This is how our stay in the UP College of Medicine has changed us. We have been granted the collective power to think and to imagine, the ennobling responsibility to accept challenges with open arms, the steadfast commitment to drive all our undertakings, and the burning passion to keep our efforts aflame. History will fondly remember us for our unbeatable record in the TRP Chorale Competition, and for our perpetually perfect attendance in the BSLR Tuesday Conferences that so impressed our beloved Dean.

Before I lose credibility as a patient-certified Aga Muhlach and Dingdong Dantes lookalike, allow me to do away with overpriced TV commercials and instead echo the words of renowned physician and UPCM alumna Dr. Fe Del Mundo, who is exactly 76 years older and wiser than I am: “Give to the world the best you have, and the best will just come back to you.”

My fellow Swabes, as we emerge from this hall today, let us give to the world nothing less than the best we have, and nothing less than the best that there is to offer. Who knows? It may not be too late for Starstruck auditions, after all.

Thank you and good day!

Thursday, May 26, 2011

The 30-Day Musical Theater Song Challenge, Part 4

I came across this challenge on Facebook and thought I'd give it a try. By now, it should be no secret that I'm an avid fan of musical theater, which is not the case for many people in this country (and it's easy to understand why). If you're a Broadway junkie like myself, then my 'repertoire' is yours to sample. Otherwise, you're in for some 'new' music to... add to your playlist, perhaps?

Note: The instructions say to post this on your 'Wall', one song per day, but since we're in Blogger, I'm having it my way.

A song sung by your favorite male singer in a musical.


"I'M ALIVE" from Next to Normal
by Aaron Tveit

Before anything else, I'd just like to say that this is not a definitive answer for me, since I actually have a lot of favorite male singers. But here is Tveit showing off the beautiful tenor that he is in a song that Broadway first heard him sing, the anthem of Gabe Goodman (who's existence is highly questionable, if you know what I mean) in Next to Normal. I once read online that in choosing the actor for Gabe, the casting directors looked for someone who possessed the voice of a 'child', and that Tveit's vocal comfort zone actually lies in that stratospheric zone.

Felix Rivera was a 'creeptastic oedipal weirdo', as a reviewer described his performance, in the March 2011 Manila staging of the musical, a thrilling supporting performance that stood on its own without overshadowing the leads. Although I did find his singing and acting voice weirdly smaller than usual at times (whether its him or the sound system's anybody's guess).

Wednesday, May 25, 2011

The 30-Day Musical Theater Song Challenge, Part 3

I came across this challenge on Facebook and thought I'd give it a try. By now, it should be no secret that I'm an avid fan of musical theater, which is not the case for many people in this country (and it's easy to understand why). If you're a Broadway junkie like myself, then my 'repertoire' is yours to sample. Otherwise, you're in for some 'new' music to... add to your playlist, perhaps?

Note: The instructions say to post this on your 'Wall', one song per day, but since we're in Blogger, I'm having it my way.

A song which makes you happy.


"EVERYONE'S A LITTLE BIT RACIST" from Avenue Q
by the Original Broadway Cast

This is a song about racism, and it makes me happy. Not enlightened-, proud-, or teary-eyed-happy, just sort of sitting-back-with-a-smile-happy. But really, it's a work of comedic genius - basically what Avenue Q's made of. It pokes fun at a very sensitive issue yet does not fail to deliver an all-important message: That it is all right to be racist because it's natural.

I saw the fourth Manila run of Atlantis Productions' Avenue Q more than a year ago, and I was laughing my heart out through both acts. The show made me a devotee of Felix Rivera and quelled any doubts I had over whether Rachel Alejandro's any good (in singing, acting, or both). And who could ever forget Joel Trinidad in the comedic performance of the night as the sex-starved Trekkie Monster? Theater people of Manila are shouting: Repeat!

Celebrations

So I had my 19th birthday last Friday, and it was as I'd envisioned it to be: plain and uneventful, simple and totally unremarkable. I think the fact that I went out for lunch with just four of my closest friends proves the 'simple' point quite enough. 

I did have two celebrations that day. First one's the lunch. The second one was with family from my mother's side (we're huge on that side, you see, and quite small on my dad's - but all this talk of family deserves more than just one separate blog post). It was a joint celebration with my mom's second youngest brother, who happens to share my birthday. I wonder how it must have felt, him celebrating his birthday while his sister gave birth, almost two decades ago.  

The best part of my birthday? The surprise from my Intarmed classmates. For the day, they changed their profile pictures to ones which had me in them - sort of like Jarby Devotion Day on Facebook. I've never received such a gesture - ever - in my life, and for that deeply meaningful 'present', I'm forever in awe of these people. Especially to my closest friends (who are both awesome and brilliant). 

There was an even grander celebration two days after my birthday. 

My brother graduated from med school, bringing along with him the Most Outstanding Medical Graduate and Most Outstanding Straight Intern in (Internal) Medicine awards, in addition to being Class Valedictorian and the only Magna cum Laude among the roughly 150 graduates of the University of the Philippines College of Medicine Class of 2011. That means he's now an unlicensed doctor. The board exams stand massively before him now, and frankly, everyone's quite excited to see what happens after he and the rest of the Class of 2011 scale that wall.

In the meantime, here's to Dr. Marc Gregory Yu Yu.

Photo by Melissa Litao

I'll be publishing his valedictory address here sometime soon.