Saturday, January 4, 2020

PDI Feature: 2020 theater calendar--so far

I made a friggin' listicle in today's paper!

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10 things to look forward to in 2020 theater season

"Dekada '70" at Ateneo de Manila University, September 2018.

We're not here to deal with what Lin-Manuel Miranda calls "crazy hypotheticals." For instance, from the grapevine: The stage adaptation of the 1992 Whitney Houston vehicle "The Bodyguard"? No formal announcement yet.

On the other hand, our 2020 theater calendar already has 24 items all firmed up. What are we looking forward to the most? Here's a list of 10 to start things off:

1. Menchu onstage--again

Why yes, we mean the one and only Menchu Lauchengco-Yulo. She's long been referred to as Philippine musical theater's first lady, and for good reason.

Who else in this lifetime can claim to have played both The Witch and The Baker's Wife in "Into the Woods," Johanna and Mrs. Lovett in "Sweeney Todd," Joanne--twice!--in "Company," Fantine in "Les Miserables" (and Cosette in a concert version), Cathy in "The Last Five Years," Eva Perón in "Evita," Luisa in "Nine" and Fosca in "Passion"?

In March, Lauchengco-Yulo reunites with Bobby Garcia and Atlantis Theatrical Entertainment Group for "The Band's Visit." The last time she was in an Atlantis production, she brought the house down as the fanatical Margaret White in "Carrie."

This time, she plays café owner Dina--which won Katrina Lenk the 2018 Tony Award for Best Actress in a Musical.

2. BlueRep's 'Next to Normal'

"Ballsy" is the word that came to mind at the news of Ateneo Blue Repertory (BlueRep) closing its 28th season with Tom Kitt and Brian Yorkey's masterwork, not least because the upcoming production has mammoth shoes to fill.

The rock musical's Manila premiere nine years ago, directed by Garcia for Atlantis and starring Lauchengco-Yulo as the bipolar protagonist Diana, recently made our list of the Best Theater of the Decade.

For BlueRep, Missy Maramara directs (she also helmed last year's "Spring Awakening," which we named 2019's Best Musical--Non-Filipino Material). Six-time Gawad Buhay winner Cris Villonco plays Diana; two-time Gawad Buhay winner Jef Flores plays her husband Dan. Our tissues are on standby, while we swoon at how hip and sexy this millennial pairing looks on poster.

3. A pair of classics

We're getting the British musical about orphans that gave us the immortal line "Please, Sir, I want some more," and the Rodgers and Hammerstein musical, the immortal "If I Loved You" and "You'll Never Walk Alone," within a month of each other.

"Oliver!" opens in June as Atlantis' second show for the season. "Carousel" opens in May, marking the Repertory Philippines (Rep) debuts of director Toff de Venecia, and Gian Magdangal (as Billy Bigelow) and Nikki Gil (as Julie Jordan). When was the last time Manila saw a piece of theater that predates the Tony Awards?

4. 'Rep Unplugged'

Slated for June, another surprise up Rep's sleeve: an "out-of-the-box," "unconventional," "alternative" theatrical piece, titled--quite simply--"Rep Unplugged," with Ed Lacson Jr. directing.

What's it about, exactly? Your guess is as good as ours, but we're all buckled up for Liesl Batucan's first year as Rep's artistic director.

5. New blood at Virgin Labfest

This annual festival of "untried, untested, unstaged" one-act plays at the Cultural Center of the Philippines (CCP) is also getting a new director--JK Anicoche, whose past works include "Battalia Royale" (Inquirer Lifestyle's Best Play--Original Filipino Material for 2012) and Samuel Beckett's "Waiting for Godot" in five versions for Tanghalang Ateneo (TA). 

The Labfest's 16th edition also received a record 290 submissions--a 43-percent increase from last year's "measly" 207--and will be playing June 10-28. The lineup will be announced within the next three months.

6. A new CCP theater

At long last, Manila's premier arts center will be getting a new (black box) theater: the 300-seat Tanghalang Ignacio Gimenez, right across the Philippine International Convention Center. Hopefully, this is where we'll be watching the Labfest already.

7. Four CAST readings

The Company of Actors in Streamlined Theatre gave us some of our most memorable theatrical outings last year.

Lauren Gunderson's "The Revolutionists" was a "spectacular first offering... invigorating mentally and emotionally," wrote Arturo Hilado. Directors Nelsito Gomez and Wanggo Gallaga turned Arthur Miller's "All My Sons" into "painfully provocative Philippine drama," noted Cora Llamas. And James Goldman's "The Lion in Winter" featured 2019's first great performance in Jaime del Mundo's Henry II.

What do we know of this season? Only that the venue is still Pineapple Lab in Poblacion, Makati City, and that the theme is "When Music Plays." Per company custom, the title of each play is revealed only at the start of the reading itself (each play gets only a matinee and an evening show, so seats are extremely limited).

The first reading is Jan. 12.

8. More university productions

2019 was a terrific year for campus theater. Three of our picks for the year's best productions were either thesis plays or by university companies. The University of the Philippines (UP) Diliman's lineup of student theses alone included August Strindberg's "Miss Julie," Peter Weiss' "Marat/Sade" and Beckett's "Happy Days."

Already announced for 2020: Liza Magtoto's take on Caryl Churchill's "Top Girls" for TA; the return of Far Eastern University Theater Guild's "Ang Pinakamakisig sa Mga Nalunod sa Buong Daigdig" (Risa Jopson's adaptation of Gabriel García Márquez's short story "The Handsomest Drowned Man in the World"); and UP Dulaang Laboratoryo's adaptation of Nick Joaquin's "The Summer Solstice."

9. Another jukebox musical

In June, Resorts World Manila will present "Bongga Ka 'Day," a jukebox musical that features the songs of Hotdog, the band that defined the "Manila Sound." The musical's creative team includes Magtoto, Maribel Legarda and Myke Salomon--the brains behind the megahit "Rak of Aegis."

10. 'Lagárì' season

In show-biz parlance, lagárì (the Filipino term for "saw") connotes being swamped in so many commitments, one's body might as well be sawn off to get to all the places it needs to be.

Slated between mid-February to early April are Tanghalang Pilipino's "Batang Mujahideen," Trumpets' "Joseph the Dreamer," the international tour of "Matilda, The Musical," Rep's "Stage Kiss" and "Anna in the Tropics," Black Box Productions' "Dekada '70," Dulaang UP's returning "Nana Rosa," etc.

Are we ready--yet again--for the first-quarter lagárì season? You bet.  

Wednesday, January 1, 2020

The Decade in Film (2010-2019)

As of today, I have seen 844 films released in the last 10 years. Yes, I do in fact keep a list, thank you for asking. Is that a good enough number? I came to the local festival circuit pretty late (2015, to be exact--the year of "Sleepless" in QCinema). I spent two years during the latter half of the decade based in Iloilo City, which meant time away from the Manila-exclusive film festivals, where many of our local titles have lived and continue to live their ephemeral lives. Why did "The King's Speech," a movie that is just okay at best (albeit starring Colin Firth, Geoffrey Rush and Helena Bonham Carter in top form), win the Academy Award for Best Picture and Best Director over the masterpiece that is "The Social Network"? That is a question I still ponder every now and then. Below, I've made a 20-before-20, though in the process of making the collage, I realized I needed to choose a top 10, hence the picture. Lemme know what you think!

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MY TOP 10 FILMS OF THE DECADE (in alphabetical order):


1. Arrival (2016; dir. Dennis Villeneuve)
A masterclass in thrilling storytelling through and through. This New Yorker review by Anthony Lane sums up my sentiments precisely.

2. Frances Ha (2012; dir. Noah Baumbach)
By far, the best work of the director who has also given us "The Squid and the Whale," "Mistress America," "The Meyerowitz Stories (New and Selected)" and "Marriage Story." 

3. Happy as Lazzaro (2018; dir. Alice Rohrwacher)
Starts out as neorealism, then morphs into something between magic and myth. An utterly beguiling cinematic gift.  

4. Inside Llewyn Davis (2013; dirs. Joel & Ethan Coen)
The Coen Brothers' finest work this decade is a rumination on success and sadness by way of a folk musical. Who would have thought?

5. Lady Bird (2017; dir. Greta Gerwig)
Love takes limitless form--for parent, lover, friend, place, time--in this sublime reinvention of the American bildungsroman.

6. Norte, Hangganan ng Kasaysayan (2013; dir. Lav Diaz)
This "astonishing study of madness and its accompanying instruments" topped CNN Philippines' rundown of the best Filipino films of the decade. Nobody disagrees.

7. Parasite (2019; dir. Bong Joon-ho)
The perfect moviegoing experience. I caught an early-afternoon screening with maybe 10 senior citizens in the theater--and let me tell you, dear reader, the energy in that room was wild, wild, wild.

8. A Separation (2011; dir. Asghar Farhadi)
"A trenchant emotional thriller that you watch in dread, awe and amazing aggravation," wrote Wesley Morris for The Boston Globe. That 99% critics' score (based on 173 reviews) on Rotten Tomatoes sounds just about right.

9. The Social Network (2010; dir. David Fincher)
Hell (and heaven for us viewers) in the form of fragile male egos stabbing each other with words. If I had to pick only one film to represent the decade, this might be it.

10. Weekend (2011; dir. Andrew Haigh)
Even "the defining LGBTQ film of the decade" feels like an inadequate encapsulation of this airtight masterwork.

MY NEXT 10 FILMS OF THE DECADE (in alphabetical order):

11. Apocalypse Child (2015; dir. Mario Cornejo)
Drama with a capital D, that moves with a believably human brain, and knows which wounds to poke and sores to reopen on your puny mortal soul.

12. Certified Copy (2010; dir. Abbas Kiarostami)
The late Roger Ebert spent almost nine paragraphs of his review trying to figure out this mesmerizing, mind-tickling two-hander, before admitting that "perhaps it was wrong of me to even try"--and I am nodding in agreement.

13. Edward (2019; dir. Thop Nazareno)
Maybe it's just my biases as a doctor at play. Maybe it's really the best Filipino film of 2019. Take your pick. 

14. An Elephant Sitting Still (2018; dir. Hu Bo)
A sweeping triumph of portraiture, both macro (the fucked-up 21st-century Chinese society at large) and micro (the lost and lonely inhabitants of this modern-day epic). 

15. Gone Girl (2014; dir. David Fincher)
If you can survive watching "Gone Girl" get shut out of every category (save for Best Actress) on Oscars nominations day, then you can survive anything.

16. Looper (2012; dir. Rian Johnson)
Where does one even begin with this film? The Academy Award for Best Supporting Actress that year did not go to Emily Blunt (she wasn't even nominated), and we are mad as hell.

17. The Master (2012; dir. Paul Thomas Anderson)
The Academy Award for Best Supporting Actor that year did not go to Philip Seymour Hoffman, and we are also mad as hell. Also probably as good a time as any to share that, for one shining moment, I did consider joining Lancaster Dodd's cult (the power of PTA, yea!).

18. Oda sa Wala (2018; dir. Dwein Baltazar)
If you're not yet a Dwein Baltazar stan, then you're not doing drag. 

19. Spotlight (2015; dir. Tom McCarthy)
This is why journalism--the truth and its telling--matters.

20. 20th Century Women (2016; dir. Mike Mills)
Transcends the specificity of its non-Developing World narrative to capture the universal pains and pleasures, confusions and convolutions of coming of age.

PLUS--*30* more titles (in alphabetical order) to make 50:

Boyhood (2014; dir. Richard Linklater); Bridesmaids (2011; dir. Paul Feig); Call Me by Your Name (2017; dir. Luca Guadagnino); Child's Pose (2013; dir. Calin Peter Netzer); Cleaners (2019; dir. Glenn Barit); Cloud Atlas (2012; dirs. Tom Tykwer, & Andy & Lana Wachowski); The Favourite (2018; dir. Yorgos Lanthimos); Honor Thy Father (2015; dir. Erik Matti); Inception (2010; dir. Christopher Nolan); Kiko Boksingero (2017; dir. Thop Nazareno); La La Land (2016; dir. Damien Chazelle); Mad Max: Fury Road (2015; dir. George Miller); Maps to the Stars (2014; dir. David Cronenberg); Margaret (2011; dir. Kenneth Lonergan); Neighboring Sounds (2012; dir. Kleber Mendonça Filho); Nightcrawler (2014; dir. Dan Gilroy); Pamilya Ordinaryo (2016; dir. Eduardo Roy Jr.); Phantom Thread (2017; dir. Paul Thomas Anderson); Roma (2018; dir. Alfonso Cuarón); Shame (2011; dir. Steve McQueen); Shoplifters (2018; dir. Hirokazu Kore-eda); Take Shelter (2011; dir. Jeff Nichols); Tangerine (2015; dir. Sean Baker); Three Identical Strangers (2018; dir. Tim Wardle); A Touch of Sin (2013; dir. Jia Zhangke); Violator (2014; dir. Eduardo Dayao); Wild Tales (2014; dir. Damián Szifron); The Wolf of Wall Street (2013; dir. Martin Scorsese); Zero Dark Thirty (2012; dir. Kathryn Bigelow); and Harry Potter and the Deathly Hallows Parts 1 & 2 (2010, 2011; dir. David Yates) because die-hard Potterhead here.

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